Dante’s Township, Quebec, Canada

I realize how important it is to start with a good image. I never have in mind what it will look like, it becomes what it looks like when buttons and levers…are pushed and drawn an the photo editing software.
There a quality of Dante that suddenly entered the image and it went from a Hand Sketched image of town ships in Quebec to this darker asscent to light…

Images are a way of communicating. They can be a form of codeing that becomes established between people. Like reading a fine novel, you know when you are reading a fine novel, and you sometimes begin to know other people who enjoy the same novels as you do.

Photo graphics, image and writing seem to meld easily. Some photos need no introduction, while other may have several layers of emotional feeling attached.

This one I call, Dante’s Township, photographyQuebec, Canada

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A New England Kettle Pond

 

 

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Writing with Light, using my cones and rods, I get to interpret light and use that interpretation to observe beauty from my subjective perspective.
On a walk around my Walden Pond, I could see November in the objects and their shadows. I could see light as it dropped like water on a leaf or a needle of a pine tree.
Light moves around when a leaf swirls in the wind and a new shadow is cast on a new branch.
It is a privilege to be able to have the time and the equipment needed to be able to have a day of gratitude. There are times in people lives when to bridge a divide means a lot of subjective work at uncovering clarity. This is an ongoing process in both art and therapy.

Mindfulness in Psychoanalysis is one aspect of my life, and iphotoimpression.com is another aspect of my professional life. These two ambitions drive me still today. What they have in common is the intensity of emotion as a reflection of intense color. The colors that make up the above composition are cream, aqua, deep red fuchsia and a hint of purple and green. Among these colors are variations in contrast and tonality.

I took my camera out to photograph light, only by coincidence and intuition did the objects end up in the images created. I love trees, they feel essential to me. I live among them. When I look out my window, I see nature and neighbors here and there in these woods on the edge of a New England Kettle Pond.

 

 

 

Clams in Rhode Island

clamming in Rhode Island.jpgClamming in R I

 

It was a beautiful end of summer day.  Kathy has the Canadian Canoe with a 9.9 engine on the back.  We can row or paddle, or for long runs, Kathy uses the engine. The shallow brackish ponds curve around a landscape of the Atlantic on one side and the shoreline of southern Rhode Island on the other side.  The image above depicts our family group raking for clams

The 1st of October brings my mind into the new season.  Though we spent the afternoon in the water, it was really not warm enough for old bones to enjoy a swim.  Though each of us were so adapted to New England, I am sure we might have had we known the day would turn out as warm as it did.  My face browned with the passing of the day.

The southern migration of the popular tree swallow was in full swing and they were, we were told, on their way to Essex Cn where they converge to finish their way to the southern destination.  In New England, we understand snow-birds differently than the popular version which is to fly, drive and even train to some parts of Florida.  These birds were swirling and feeding off the pond all around us.  A flock of cormorants also converging were mingling with sea-gulls as we canoe around the ponds and marshes of Ninigret. Native American influence is fading but still visible when you look.

We brought in enough shellfish to have appetizers with dinner, a simple Sunday evening supper as was the custom in Canadian families.

Autumn and aging are at my front door.  At first, I had to adapt to the idea, then I realized the adaptations are transitions that require a new kind of deliberate intent.  Clamming on a bright, sunny, autumn day with folks you love and trust is a great source of spiritual healing.  I am talking about the kind of healing that comes from inhaling the rays of sun, merged with the aroma of the tides and the beauty of the colors the light provides.

Some days, with a bit of luck and a dose of determination, gratitude is in the air.

ST. AUGUSTINE, 450th anniversary: the environ

Preface:

It could only be better if it were Quebec rather than St. Augustine.  I say that because Quebec owns my heart and I tend to find beauty where I love.  But we are here and it is now, and that means photos and enhancements, and trials and errors, even during dinner.  It is very difficult for a photographer to escape without his camera.  It is all somewhat of a bus-man’s holiday.  It may be intrinsic to how I see.  I am a Naturalist.  The laws of nature are all around me.  I see them, and they are not watching me.

 

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As well as having my camera with me as a companion when I set out to write, I take my fascination for light and darkness as more than a metaphor.  I am a Naturalist.  My world is ever changing.  I am aware of moments of simple awe, and moments complicated by  compound-complex sentences that refuse to end.

A current phrase that I hear said to me is:  “Let it go, Man!”

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So, I let it go.

The pictures that are in this “note” are a product of the gifts of solitude and consciousness that arose out of “letting-it-go”.  I want to elevate these qualities to a near divinity, but they are so human, and ever so woven into the daily evolution of life, that they fail when I attempt to cut them away from the mother plant.  It is not divine consciousness that I elevate, it is Human Consciousness.

The simple observation of the wind, or the odor of sulphuric-salt at low-tide, these enable me to see the greater natural beauty that is St. Augustine. We live on the cusp of what mother nature knows is her land.  Not unlike the attempt started 450 years ago to claim the land for humans from humans, Mother Nature has had her eye on our bay-front for her own use.  St. Augustine is trying to save the shoreline for mother nature’s use.  But, even these interventions are an interruption, a cancer that we humans bring with our civilized footprints as fossils for future archaeologist. St. Augustine has a predilection to Pompeii, and to New Orleans.

the oldest city street on the continent

In the summer St. Augustine is a mix of Floridian consciousness with a touch of the tropics that it borders.  We live at the sea level of water, much like New Orleans, or Dutch Holland.  We are intrinsically woven with the sea, into the sea, and the sea is woven into this shoreline that is us.  We know it is the Laws of Nature that govern, and we know that the Law governs as an absolute monarch.  It is as merciless as the Spanish Inquisition or a Roman conquest.  Mother-Nature rules Absolutely. No amount of self-worth or self-pride can out veto a “NO” vote from mother nature.

We killed the previous owners of this land and we now call it ours.  As such, I photograph the land as if it were mine, and I was taking a picture to prove its inheritance.   We are western civilization.

Crossing the Bridge Of Lions on a soft summer evening can feel as glorious as Venice, or as tame as St. Augustine,  and the lens, my companion, searches for an intersection of lines and light.

the bridge

 

 

I enjoy the fascination of finding a fisherman crouched beneath a bridge fishing for life and maybe even for fish.  He seems to not notice 30,000 people circulating around his nest. He carries a tool box for line and hooks, and a knife as any hunter should.  He hunts.

fishing boy

Others sail!

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Contrast in St. Augustine is relatively easy to fine.  We must be looking for it.  We must be deliberate about when we choose the moment to shoot.  There are two moments in Art: deliberated and un-deliberate.  The common sense choice is an extension of being deliberate.  It occurs for me when I am closest to belonging.

pedestrian bridge

In the theater of Humanity, we have so often come away from life to find a point of observation that captures more than the light dancing on an object.  We would like to come away and find a purpose higher than our own internal, subjective point of view.  I seem to find it more quickly when I am working with the elements of Nature directly.

There is a meditative aspect to art that is linked to both the cause of the piece and the execution of the piece.   A Naturalist that I have great respect for is Mr. Henry Beston.  The following is a quote from 1949 forward of his book, The Outer Most House:

“Man can either be less than man or more than man, and both are monsters, the last   more dread.”

an intersection of line and light

The stage at the center of town, holding court, held little interest for me.  The masses captured by a slogan and swaying to the odor of ale, did not impress me.  The town on which this stage is raised, however, does call to me.  It calls to me because the past has not been deliberately hidden.  The awful scars of righteousness and bigotry do not seem to be as hidden as they might be in other small southern towns.  The sins and atrocities of man seem to become part of the fabric of here.  Though, there does appear to be a lot of civic pride about a massive blood-bath in the Matanzas river.

I think of it as the respect for art and architecture.  St. Augustine envelopes most visitors at least at first sight.

galleon

 

El Galeon, an authentic replica of a 16th century Spanish War ship was one such recent visitor.  We stood on the bridge and watched her come in from the inlet at Vilano and move slowly into the bay front.  Spanish and American flags waved her into place.  She was here to be a part of a festival of celebration.

I find her to be a majestic aspect of St. Augustine’s past.  We were, after all, held here by royalty.  And, for as little as we try to make of it in today’s world, we certainly have been deeply influenced by the behavior of royalty and its part in domesticating western civilization.

the galleon 2

 

This floating art work is a salute to war and the spoils of war. Most of what we have acquired was stolen or forced away from its natural habitat.  Our consciousness belongs to Nature, it has evolved along side the earth since the beginning of time.  We are the furthest-most extension of Nature that we have found anywhere in the universe.  And our little town of St. Augustines is such a representative gem in that crown of thorns.

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Our town is a triumph of man against nature.  See what we have cut out of mother nature and put in its place.  See how architectural transplants have added multiple uses to the marsh lands. so many more uses than mother nature had intended for this piece of little paradise.

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Evolution is just another name for the slice of life that we have become.  Migration of species moves to a natural order, an order of not-knowing that bothers our consciousness.  Freud would say that psycho-analysis disturbed the sleep of the world.  That German-Jew knew what he was talking about.  We do not want to know that what we have created is created on a bed of sand that has an equal capacity to move from beneath as it does from above.  A foundation of shifting sand brings no comfort. The answer may not be a bigger wall unless we are deliberate about the fact that a bigger wall will only postpone what mother nature, in the long run, will re-capture as hers.  She is a formidable Queen every bit as powerful as Isabell or Elizabeth.  She is mother to every Queen that ever ruled.

a bird of paradise 2

 

There will be more about mother nature in St. Augustine in a separate post.  This post will connect with an episode from the Caleb Sagas.

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for the love of climbing trees

I like trees. I like what they contribute to me and to this planet.  I like that they are home to so many creatures.  When they eventually die, they rot their nutrients into the ground enhancing and making fertile a womb for even newer growth.  I like how they entangle themselves into each other so that they remind me of how a brain grows, sprouting dendrites and attaching here and there in the most random of order.

They purify the air and they are such fun to climb.

They are a part of me and i am a part of them…it saddens me to see them treated callously as if they have no life and are an endless resources for man to exploit.  Finally, they are a thing of beauty and as a cluster they form a kind of chapel in the wildwood.

trees

What The Dickens…..

vibrant

Spending an afternoon strolling around the flora and fauna of St Augustine compels one to want to create.  This town feels so organically grown, so free of stereotypes and so open to allowing in the well-to-do vacationers to spend money to their hearts content.

The art community is so plentiful that I dare say it is over-populated with well meaning folks like myself who consider themselves an artist whether or not any one else considers them so.

If art for meditation is what you are looking for–look no further, St. Augustine offers a plan for the sincere to the talented.  Walking with my camera in this town let’s me challenge my concept of beauty at every nook and cranny and corner or circle that I come to.

These are the best of artist and the worst of artists, misquoting Mr. Dickens.  And while we are on the topic of Dickens an image from a Tale of Two Cities comes to mind.  All that glitters is not gold.

For some, the struggle of homelessness is as real here among the tranquil serenity as it is in the sub-ways of grand cities.  Poor is poor; and, as more of us are becoming poorer and poorer, there is an upper-crust of society that is as rich as any previous Guilded Age.

Our delightful, little, oldest city on the continent is no exception.

decay charcoal and color

My fickled brain loves Augustine again, not despite its decay, but because of its decay…impermanence is much easier to swallow in the warm than in the cold.